The Knot Variations

The knot variations evolved out of a fine-art research project Bullock undertook for his two-year MFA post-graduate degree. This resulted in the subsequent show The topological consequence of being // and the space between us – a substantial body of work comprising painting, sculpture/installation, photography, film and sound and was based on an extensive investigation of the opaque world of abstract, theoretical mathematics.

More specifically, the work was inspired by the works of noted mathematician Clifford Hugh Dowker (1912 – 1982) whose extensive archive Bullock unexpectedly became custodian of in 2016. Dowker worked within the arcane field of topology and, more specifically, the sub-genres of knot theory and sheaf theory. The Knot Variations paintings, in Bullock’s mind, became metaphors for the complexities of human relationships, the threads that connect us all; and ultimately make us, us. To download the essay ‘A Brief Treatise on Knots’ by the artist – click here.

All or nothing at all 2022, 120cm x 100cm x 4cm, Oil on canvas 

Ascension 2020, 40cm x 40cm x 4cm, Acrylic on canvas

I’m a dreamer aren’t we all? 2020, 40cm x 40cm x 4cm, Acrylic on canvas

Late late blues 2022, 40cm x 40cm x 4cm, Oil on canvas

Body and soul 2020, 40cm x 40cm x 4cm, Acrylic on canvas

Tapestry in sound 2020, 60cm x 90cm x 4cm, Acrylic and emulsion paint on canvas

Seraphic light 2020, 40cm x 80cm x 4cm, Acrylic on two canvases

Compassion 2021, 120cm x 100cm x 4cm, Acrylic on canvas

Lush life 2020, 70cm x 230cm x 4cm, Acrylic, emulsion paint and gold leaf on three canvases

Sweet sapphire blues 2020, 82cm x 82cm x 4cm, Acrylic on four canvases

Chronic blues 2022, 60cm x 90cm x 4cm, Oil and acrylic on canvas